"Adamo ed Eva, Part II: Aria. Se al Ciel miro!" by Josef Mysliveček, Luciana Mancini, Peter Van Heyghen, Il Gardellino was released on June 1, 2019. Since Adamo ed Eva, Part II: Aria. Se al Ciel miro! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 27 out of 34 in Adamo ed Eva by Josef Mysliveček, Various Artists, Peter Van Heyghen, Il Gardellino. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Adamo ed Eva, Part II: Aria. Se al Ciel miro! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adamo ed Eva, Part II: Aria. Se al Ciel miro! by Josef Mysliveček, Luciana Mancini, Peter Van Heyghen, Il Gardellino is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
String Quartet in G Major, Op. 52 No. 3, G. 234: IV. Allegro giusto | Luigi Boccherini, Sarasa Ensemble | F♯ Major | 0 | 2B | 84 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
6 Easy Divertimentos: No. 6 in C Major. Andantino | Josef Mysliveček, Clare Hammond | D Major | 1 | 10B | 111 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | E Major | 2 | 12B | 87 BPM | ||
Overtures For 2 Horns, 2 Oboes And Strings / Overture No.2 In A: 3. Allegro | Josef Mysliveček, Concerto Köln, Werner Ehrhardt | A Major | 1 | 11B | 80 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM |