"弦楽のためのアダージョ" by S. バーバー, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) had its release date on April 24, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 『アダージョ』 ~4本のチェロのための作品集 3~, so we believe that "弦楽のためのアダージョ" is a single. 弦楽のためのアダージョ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 弦楽のためのアダージョ by S. バーバー, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から | Pyotr Ilyich Tchaikovsky, のだめオーケストラ | B Minor | 2 | 10A | 167 BPM | ||
シシリエンヌ(フォーレ) | Gabriel Fauré, Shinya Kiyozuka | D Minor | 0 | 7A | 77 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
String Quartet No. 17 in F Major, Op. 3 No. 5, Hob. III:17: II. Andante cantabile | Joseph Haydn, Roman Hoffstetter, Tomek Nowak Quartet | C Major | 0 | 8B | 148 BPM | ||
ユーモレスク | Antonín Dvořák, ウィリアム・ジョーンズ, コンセル・ソンドール | G Major | 0 | 9B | 72 BPM | ||
美しく青きドナウ(J.シュトラウス2世) | Erich Binder, ウィーン交響楽団 | D Major | 1 | 10B | 92 BPM | ||
マーラー:交響曲第5番嬰ハ短調 より 第4楽章 | のだめカンタービレ | F Major | 1 | 7B | 139 BPM | ||
モルダウ(「わが祖国」より) | QUARTET PAPAS | F Minor | 1 | 4A | 71 BPM | ||
Gluck: 妖精の踊り | Christoph Willibald Gluck, Hitomi Niikura | B Minor | 1 | 10A | 83 BPM | ||
オペラ座の怪人セレクション | Andrew Lloyd Webber, Richard Hayman Symphony Orchestra, Richard Hayman | B♭ Major | 6 | 6B | 129 BPM |