"Mary, Mother: II. Carpentry Carol" by Bob Chilcott, Georgia Way, St Martin's Voices, Polina Sosnina, Elizabeth Bass, Andrew Earis was released on October 20, 2023. The duration of Mary, Mother: II. Carpentry Carol is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Mary, Mother: II. Carpentry Carol's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 21 in A Winter Breviary: Choral Works for Christmas by St Martin's Voices, Andrew Earis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mary, Mother: II. Carpentry Carol is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mary, Mother: II. Carpentry Carol by Bob Chilcott, Georgia Way, St Martin's Voices, Polina Sosnina, Elizabeth Bass, Andrew Earis is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Be Thou My Vision | St Mary's Cathedral Choir | A♭ Major | 0 | 4B | 142 BPM | ||
Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
Five Hebrew Love Songs 1. Temuna | Eric Whitacre | G Major | 1 | 9B | 87 BPM | ||
Missa Pontificalis: Gloria | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | D Major | 0 | 10B | 86 BPM | ||
Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Three Whitman Settings: 3. The Last Invocation | The Singers - Minnesota Choral Artists | G Minor | 1 | 6A | 136 BPM | ||
Messe Solennelle, Op. 16 - Kyrie | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | D♭ Minor | 2 | 12A | 70 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Daniel, Daniel, Servant of the Lord | Undine S. Moore, Crepusculum Choir, Claire Joy Moss, Jackie Rae Lankenau, Julian Schoming | G Major | 6 | 9B | 98 BPM | ||
Shakespeare Songs, Book 1: I. Hark! hark! the lark | Matthew Harris, Phoenix Bach Choir, Charles Bruffy | F Minor | 0 | 4A | 73 BPM |