"Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 6. Dance of the Maids with Lillies" by Minnesota Orchestra, Stanisław Skrowaczewski was released on March 30, 2010. The duration of Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 6. Dance of the Maids with Lillies is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 6. Dance of the Maids with Lillies's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Soviet Classics (Standing Ovation Series)". In this album, this song's track order is #10. In terms of popularity, Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 6. Dance of the Maids with Lillies is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 6. Dance of the Maids with Lillies by Minnesota Orchestra, Stanisław Skrowaczewski having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, MVW O3: III. Allegro | Felix Mendelssohn, Daniel Hope, Kammerorchester Basel | E Major | 2 | 12B | 139 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op. 60: II. Romance | Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra | G Minor | 0 | 6A | 105 BPM | ||
Swan Lake, Op. 20, TH 12, Act III: No. 22b, Danse russe. Moderato | Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti | D Minor | 1 | 7A | 93 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Original 1894 Version, Ed. L. Nowak): III. Adagio: Tempo wie im anfange - | Anton Bruckner, Minnesota Orchestra, Stanisław Skrowaczewski | G Major | 0 | 9B | 87 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
The Beekeeper - Live | Dessa, Minnesota Orchestra | C Minor | 2 | 5A | 127 BPM | ||
Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | ||
Strauss, R: An Alpine Symphony, Op. 64: XVIII. Thunderstorm | Minnesota Orchestra, Edo de Waart | B♭ Minor | 5 | 3A | 84 BPM |