"My Fleeting Angel: I. Larghetto" by Cheryl Frances-Hoad, Ensemble na Mara, Tom Hankey, Oliver Coates, Alasdair Beatson was released on July 21, 2011. With My Fleeting Angel: I. Larghetto being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 26 in Frances-Hoad: Chamber Works by Cheryl Frances-Hoad, Various Artists. In terms of popularity, My Fleeting Angel: I. Larghetto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of My Fleeting Angel: I. Larghetto by Cheryl Frances-Hoad, Ensemble na Mara, Tom Hankey, Oliver Coates, Alasdair Beatson is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
The Thought Machine: II. Night Journey | Cheryl Frances-Hoad, Sophie Daneman, Mark Stone, Sholto Kynoch | A Minor | 1 | 8A | 78 BPM | ||
Quintet, KV. 407 (Arr. for Horn Trio by Ernst Naumann): II. Andante | Wolfgang Amadeus Mozart, Martin Owen, Francesca Dego, Alessandro Taverna | A Major | 4 | 11B | 119 BPM | ||
Run Hermes | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Femina Feminae VI. L'ecole Buissonière | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Songs of the Half-Light, Op. 65: No. 2, Full Moon | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | B Minor | 0 | 10A | 88 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): IV. Primavera Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM |