"Voix intimes, Op. 45: No. 5, Sérénité" by Henri Vieuxtemps, Vilmos Csikos, Olivier Lechardeur had its release date on February 9, 2024. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Voix intimes, Op. 45: No. 5, Sérénité's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vieuxtemps: Rarities for Violin & Piano by Henri Vieuxtemps, Vilmos Csikos, Olivier Lechardeur. The song's track number on the album is #7 out of 12 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Voix intimes, Op. 45: No. 5, Sérénité is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Voix intimes, Op. 45: No. 5, Sérénité by Henri Vieuxtemps, Vilmos Csikos, Olivier Lechardeur has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Voix intimes, Op. 45: No. 5, Sérénité being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | B♭ Major | 2 | 6B | 82 BPM | ||
Viola Sonata in B-Flat Major, Op. 36: II. Barcarolla. Andante con moto | Henri Vieuxtemps, Antoine Tamestit, Cédric Tiberghien | G Minor | 1 | 6A | 65 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 96 BPM | ||
Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | A♭ Minor | 1 | 1A | 84 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Viola Concerto in G Minor: II. Andante un poco sostenuto | Cecil Forsyth, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM |