"Boring Parties" by Isabella Summers was released on November 25, 2022. With Boring Parties being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Isabella Summers's "Lady Chatterley's Lover (Soundtrack from the Netflix Film)" album is number 19 out of 25. Boring Parties is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boring Parties by Isabella Summers to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Main Titles | Theodore Shapiro | B♭ Major | 2 | 6B | 128 BPM | ||
Credits | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
Electricity | Arthur Sharpe | F♯ Major | 2 | 2B | 87 BPM | ||
Catherine the Great Main Titles | Rupert Gregson-Williams | A♭ Major | 3 | 4B | 124 BPM | ||
My Beautiful Boy | David Hirschfelder | D Minor | 1 | 7A | 93 BPM | ||
Ola's Fantasy | Oli Julian | C Major | 0 | 8B | 100 BPM | ||
Thirty Horses | Carlos Rafael Rivera | F Minor | 3 | 4A | 110 BPM | ||
If You Were with Me | Blake Neely | D♭ Major | 2 | 3B | 86 BPM | ||
Getting Through It | Rob Simonsen | E♭ Major | 1 | 5B | 75 BPM | ||
The Convenant | Chris Benstead | A♭ Major | 3 | 4B | 166 BPM |