"Viv as an Oak(ヴィヴ・アズ・アン・オーク)" by 高 昌帥, フィルハーモニック・ウインズ 大阪 was released on May 2, 2020. Since Viv as an Oak(ヴィヴ・アズ・アン・オーク) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Viva Osakan! by フィルハーモニック・ウインズ 大阪. The song's track number on the album is #1 out of 9 tracks. Based on our data, Japan was the country where this track was produced or recorded. Based on our statistics, Viv as an Oak(ヴィヴ・アズ・アン・オーク)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Viv as an Oak(ヴィヴ・アズ・アン・オーク) by 高 昌帥, フィルハーモニック・ウインズ 大阪 has a tempo of 150 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Viv as an Oak(ヴィヴ・アズ・アン・オーク) being at 150 テンポ, the half-time would be 75 テンポ with a double-time of 300 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
スターウォーズ三部作: レイア姫のテーマ(ドナルド・ハンスバーガー編) | John Williams, Donald Hunsburger, Kazuyoshi Akiyama, Osaka Shion Wind Orchestra | A Major | 0 | 11B | 68 BPM | ||
Symphonic Suite No. 2 "Pernambucana": IV. Frevo | César Guerra-Peixe, Goiás Philharmonic Orchestra, Neil Thomson | E♭ Major | 3 | 5B | 146 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): II. Fortune plango vulnera (I lament Fortune's blows) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Minor | 1 | 8A | 107 BPM | ||
The sea at night | Dj Gabry G. | D♭ Major | 5 | 3B | 78 BPM | ||
March-Chagu-Chagu | Satoshi Yagisawa, Japan Maritime Self-Defense Force Band of Kure, Kenji Nozawa | D Minor | 4 | 7A | 121 BPM | ||
A Fanfare for Our Heroes | The Coldstream Guards Band | G Major | 2 | 9B | 105 BPM | ||
Revolución diamantina, Act V: Pink glitter | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | D Minor | 1 | 7A | 74 BPM | ||
ワイルド・グース | Ryan George, 岡山学芸館高等学校吹奏楽部 | C Minor | 2 | 5A | 144 BPM | ||
Blithe Bells (After J.S. Bach's BWV 208) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | B Major | 2 | 1B | 89 BPM | ||
Mini Sleeping Beauty | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM |