Giuseppe Verdi, Joseph Schmidt, Artist Unknown, Staatskapelle Berlin, Clemens Schmalstich's 'Il trovatore, Act III: "Lodern zum Himmel, Himmel…"' came out on May 6, 2014. The duration of Il trovatore, Act III: "Lodern zum Himmel, Himmel…" is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Il trovatore, Act III: "Lodern zum Himmel, Himmel…"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Schmidt's "Joseph Schmidt: The Complete Recordings, Vol. 1 (Recorded 1929-1930) [Remastered 2014]" album is number 19 out of 24. On top of that, Germany appears to be the country where this track was created. Il trovatore, Act III: "Lodern zum Himmel, Himmel…" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il trovatore, Act III: "Lodern zum Himmel, Himmel…" by Giuseppe Verdi, Joseph Schmidt, Artist Unknown, Staatskapelle Berlin, Clemens Schmalstich to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Il trovatore: Timor di me? - D'amor sull'ali rosee | Giuseppe Verdi, Salvadore Cammarano, Kiri Te Kanawa, Sir John Pritchard, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM |