Johann Sebastian Bach, Akademie für Alte Musik Berlin, Andreas Scholl, René Jacobs made "The Contest Between Phoebus and Pan, BWV 201: Aria Pan "Zu Tanze, Zu Sprunge, So Wackelt Das Herz"" available on 1996. The Contest Between Phoebus and Pan, BWV 201: Aria Pan "Zu Tanze, Zu Sprunge, So Wackelt Das Herz" is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 7 out of 43 in Bach: Secular Cantatas, BWV 201, 205 & 213 by Johann Sebastian Bach, Akademie für Alte Musik Berlin, Andreas Scholl, René Jacobs, RIAS Kammerchor. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, The Contest Between Phoebus and Pan, BWV 201: Aria Pan "Zu Tanze, Zu Sprunge, So Wackelt Das Herz"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Contest Between Phoebus and Pan, BWV 201: Aria Pan "Zu Tanze, Zu Sprunge, So Wackelt Das Herz" by Johann Sebastian Bach, Akademie für Alte Musik Berlin, Andreas Scholl, René Jacobs is Allegro (fast, quick, and bright), since this song has a tempo of 152 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Christian Tetzlaff | D♭ Minor | 0 | 12A | 135 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |