Vincenzo Bellini, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini's 'Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Norma viene"' came out on January 1, 2013. The duration of Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Norma viene" is about 3 minutes long, at 3:24. Based on our data, "Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Norma viene"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 38 in Bellini: Norma by Vincenzo Bellini, Cecilia Bartoli, John Osborn, Sumi Jo, Michele Pertusi, Orchestra La Scintilla, Giovanni Antonini. Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Norma viene" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Norma viene" by Vincenzo Bellini, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Faust, CG 4 / Act III: Chanson du roi de Thule - Air des Bijoux | Charles Gounod, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | E Major | 2 | 12B | 110 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 122 BPM | ||
La Sonnambula / Act 1: Vi ravviso, o luoghi ameni | Vincenzo Bellini, Nicolai Ghiaurov, Isobel Buchanan, Luciano Pavarotti, Della Jones, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 3 | 4B | 138 BPM | ||
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
La Sonnambula / Act 1: Tutto è gioia, tutto è festa | Vincenzo Bellini, Gemma Bertagnolli, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E♭ Major | 1 | 5B | 173 BPM | ||
La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM |