Mario Castelnuovo-Tedesco, Kazuhito Yamashita's 'Escarraman (after Cervantes), Op. 177 : I. Gallarda' came out on 2001. The duration of Escarraman (after Cervantes), Op. 177 : I. Gallarda is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Escarraman (after Cervantes), Op. 177 : I. Gallarda's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kazuhito Yamashita's "Mario Castelnuovo-Tedesco / Works for Guitar Solo Vol.1" album is number 3 out of 8. Based on our statistics, Escarraman (after Cervantes), Op. 177 : I. Gallarda's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Escarraman (after Cervantes), Op. 177 : I. Gallarda by Mario Castelnuovo-Tedesco, Kazuhito Yamashita to be Allegro (fast, quick, and bright) because the track has a tempo of 148 テンポ, a half-time of 74テンポ, and a double-time of 296 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante (Arr. for Guitar by Johan Smith) | Wolfgang Amadeus Mozart, Johan Smith | G Major | 0 | 9B | 107 BPM | ||
4 Valses Venezolanos: Vals No. 4 (Yacambu) | Antonio Lauro, Adam Holzman | D Major | 1 | 10B | 98 BPM | ||
L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | G Major | 1 | 9B | 150 BPM | ||
Suite Compostelana: I. Preludio | Federico Mompou, Antigoni Goni | G Major | 0 | 9B | 100 BPM | ||
Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM | ||
Andante No. 1, Op. 320 | Ferdinando Carulli, Flavio Cucchi | G Major | 0 | 9B | 99 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 24 in A Minor | Niccolò Paganini, Marco Tamayo | A Minor | 2 | 8A | 138 BPM | ||
Cancion de cuna | Leo Brouwer, Vicente Coves | G Major | 0 | 9B | 67 BPM | ||
33 Shakespeare Songs, Op. 24: Arise, "Sea Murmurs" (arr. for violin and piano) | Jascha Heifetz, Mario Castelnuovo-Tedesco, Vilmos Szabadi, Márta Gulyás | D♭ Major | 0 | 3B | 109 BPM | ||
Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle II: No. 6, Heirat mit der Prinzessin [the Wedding with the Princess] | Carlo Domeniconi, Celil Refik Kaya | D Major | 0 | 10B | 95 BPM |