"Buenos Aires Hora Cero" by Astor Piazzolla, Astor Piazzolla Y Su Conjunto 9 was released on June 27, 1972. Buenos Aires Hora Cero is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 6 out of 9 in Edición Crítica: Música Popular Contemporanea De La Ciudad De Buenos Aires Vol.2 by Astor Piazzolla. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. In terms of popularity, Buenos Aires Hora Cero is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Buenos Aires Hora Cero by Astor Piazzolla, Astor Piazzolla Y Su Conjunto 9 is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barroso: Brazil | Ary Barroso, Quatuor Ébène, Brazil Choir, Brazil String Orchestra, Mino Cinelu, Richard Héry, Stéphane Logerot | G Major | 6 | 9B | 124 BPM | ||
María de Buenos Aires, Pt. 1: Fuga y Misterio | Astor Piazzolla, Lothar Hensel, Mariska van der Sande, Mikhail Ovrutsky, Grigori Alumyan, Róbert Grondžel, Christian Kiefer, Thomas Wise, Bonn Beethoven Orchestra, Christopher Sprenger | A Minor | 2 | 8A | 140 BPM | ||
El Negrito | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 82 BPM | ||
Solfeggio in C Minor | Carl Philipp Emanuel Bach, Eugen Cicero | C Minor | 6 | 5A | 150 BPM | ||
Piazzolla & Troilo : Contrabajeando | Aníbal Troilo, Astor Piazzolla, Daniel Barenboim, Rodolfo Mederos, Héctor Console | D Minor | 1 | 7A | 136 BPM | ||
Erbarme dich, mein Gott (From the St. Matthew Passion) | Johann Sebastian Bach, Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
La Sandunga | Hector Rojas | D Minor | 1 | 7A | 0 BPM | ||
Suite Colombiana No. 3: I. La Cancion del Sonador (Pasillo) | Gentil Montaña, José Antonio Escobar | D Minor | 1 | 7A | 149 BPM | ||
Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
5 Preludios: No. 2, Preludio Triston | Maximo Diego Pujol, Jason Vieaux | C Major | 0 | 8B | 88 BPM |