"6 Choräle von verschiedener Art (Schübler Chorales): 4. Meine Seele erhebet den Herren, BWV 648" by Johann Sebastian Bach, Wolfgang Rübsam was released on November 15, 2021. The duration of 6 Choräle von verschiedener Art (Schübler Chorales): 4. Meine Seele erhebet den Herren, BWV 648 is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 6 Choräle von verschiedener Art (Schübler Chorales): 4. Meine Seele erhebet den Herren, BWV 648's duration is considered a little bit shorter than the average duration of a typical track. The song is number 389 out of 435 in Focus with Bach by Johann Sebastian Bach, Various Artists. Based on our statistics, 6 Choräle von verschiedener Art (Schübler Chorales): 4. Meine Seele erhebet den Herren, BWV 648's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Choräle von verschiedener Art (Schübler Chorales): 4. Meine Seele erhebet den Herren, BWV 648 by Johann Sebastian Bach, Wolfgang Rübsam is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Goldberg Variations, BWV 988: Var. 7 | Johann Sebastian Bach, Glenn Gould | G Major | 6 | 9B | 85 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM |