"Exaudi, Deus, Deprecationem Meam: Ps.60" by Traditional, Harkeriana was released on May 9, 2018. The duration of Exaudi, Deus, Deprecationem Meam: Ps.60 is about 3 minutes long, at 3:02. Based on our data, "Exaudi, Deus, Deprecationem Meam: Ps.60" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 56 in the song's album "Psalterium Currens (Psalms 57-105b)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Exaudi, Deus, Deprecationem Meam: Ps.60's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Exaudi, Deus, Deprecationem Meam: Ps.60 by Traditional, Harkeriana having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 141 BPM | ||
Five Spirituals from "A Child of Our Time": I. Steal Away | Michael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra | G Major | 2 | 9B | 84 BPM | ||
Benjamin Britten: A Hymn to the Virgin | Benjamin Britten, Schola Cantorum, Tone Bianca Sparre Dahl | A Minor | 1 | 8A | 71 BPM | ||
Attende, Domine (Preces) | Capella Gregoriana Easo | D Major | 1 | 10B | 71 BPM | ||
Great doxology | Loktev, Monks Choir of Kiev Pechersk Monastery | F♯ Major | 0 | 2B | 77 BPM | ||
Nocturnes: III. Sure On This Shining Night (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 105 BPM | ||
Pastyme with good companye | Henry VIII, Amarcord, Michael Metzler | D Minor | 0 | 7A | 63 BPM | ||
Como Poden | Anonymous, Jessica Baran-Surel | A Minor | 5 | 8A | 155 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): Introduction: O Lord, save the pious | Georgy Sviridov, Nazar Yakobenchuk, Credo Chamber Choir, Bogdan Plish | B♭ Minor | 0 | 3A | 79 BPM | ||
Five Hebrew Love Songs: Éyze Shéleg! (What Snow!) | Eric Whitacre, Eric Whitacre Singers | C Major | 0 | 8B | 65 BPM |