Richard Howgill's 'In The Pits' came out on December 29, 2017. With In The Pits being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 1930s Orchestral, Vol. 3, so we believe that "In The Pits" is a single. In The Pits is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In The Pits by Richard Howgill is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
虹の彼方に | マントヴァーニ楽団 | D Major | 1 | 10B | 93 BPM | ||
Lachrimae Amantis Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
The Raiders March | Danish National Symphony Orchestra, Christian Schumann | C Major | 5 | 8B | 126 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
Catwoman I | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 120 BPM | ||
The Portuguese Washerwoman | Percy Faith | G Major | 4 | 9B | 173 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: V. Masks. Romeo and Merutio Masked | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Deseos de Grandeza | Ninfas De Ultramar | A♭ Major | 1 | 4B | 81 BPM | ||
Fading Shadows of Yesterday (Sad Cello) | Crying Cello | D Major | 3 | 10B | 129 BPM | ||
Tales of Beatrix Potter: Introduction & Opening Credits | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 101 BPM |