Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay's 'Su le sponde del Tebro: Sinfonia' came out on January 1, 1998. With Su le sponde del Tebro: Sinfonia being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 25 in Bach, J.S.: Jauchzet Gott in Allen Landen / Melani, A.: Qual Mormorio Giocondo / Scarlatti, A.: Su Le Sponde Del Tebro by Ruth Ziesak, Karoly Botvay. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Su le sponde del Tebro: Sinfonia's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Su le sponde del Tebro: Sinfonia by Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Concerto grosso in G minor, Op.8, No.6 "Christmas Concerto" - Rev. Abbado: 2. Largo - Adagio | Giuseppe Torelli, Mariana Sirbu, Antonio Perez, I Musici | B Major | 7 | 1B | 100 BPM | ||
Sonata No. 7: 3. Allegro | Domenico Gallo, Romuald Tecco, Thomas Kornacker, Peter Howard, Christopher Hogwood | F Major | 0 | 7B | 127 BPM | ||
Sinfonia in F Major, Badley F1: III. Menuet | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | A Minor | 2 | 8A | 80 BPM | ||
Symphony No. 21 in A Major, Hob. I:21: I. Adagio | Joseph Haydn, Johannes Klumpp, Heidelberg Symphony Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
Sonata No. 7 in C Major: I. Spiritoso | Francesco Mancini, Claudio Ferrarini | C Major | 4 | 8B | 111 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Ouverture | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A Major | 0 | 11B | 94 BPM | ||
Concerto grosso in G Minor, Op. 6 No. 8 "Fatto per la Notte di Natale": II. Allegro | Arcangelo Corelli, I Musici, Felix Ayo, Roberto Michelucci, Walter Gallozzi, Anna Maria Cotogni, Carmen Franco, Alfonso Ghedin, Enzo Altobelli, Mario Centurione, Maria Teresa Garatti | G Minor | 3 | 6A | 139 BPM | ||
Konzert für Mandoline und Streicher in C Major, RV 425: I. Allegro | Budapest Strings, Béla Bánfalvi, Mandoline, Lajos Mayer | C Major | 3 | 8B | 85 BPM | ||
Jocelyn, Op. 100, Act I: Berceuse (arr. for cello and orchestra) | Anonymous, Benjamin Godard, Karoly Botvay, Budapest Strings, Béla Bánfalvi | F Major | 1 | 7B | 67 BPM |