"Meer aus Tränen" by ROTE MÜTZE RAPHI was released on September 23, 2022. The duration of Meer aus Tränen is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Meer aus Tränen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in ROTE MÜTZE RAPHI's "Liebeskummerparty" album is number 20 out of 21. On top of that, Germany appears to be the country where this track was created. The popularity of Meer aus Tränen is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Meer aus Tränen by ROTE MÜTZE RAPHI to be Vivace (lively and fast) because the track has a tempo of 176 テンポ, a half-time of 88テンポ, and a double-time of 352 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
CHAMPIONS | AMIR THE KID, YDRA | F♯ Minor | 6 | 11A | 124 BPM | ||
Lieber allein | Fabian Wegerer | C Minor | 8 | 5A | 165 BPM | ||
Lonely Zu Zweit | ENQEZ, Beley | G Major | 5 | 9B | 90 BPM | ||
deadline. | vito | G Major | 5 | 9B | 124 BPM | ||
Warum (Babel) | vito, Lune, Gustavo Bravetti | F♯ Minor | 7 | 11A | 104 BPM | ||
Autumn Beat Freestyle | Theo Junior | C Major | 4 | 8B | 126 BPM | ||
Gelbe Briefe | Khrome | E Major | 8 | 12B | 88 BPM | ||
Hätten wir sein können | Layn | F Major | 5 | 7B | 95 BPM | ||
Touché | Namika, Pajel | B♭ Minor | 6 | 3A | 128 BPM | ||
Im Dunkeln | Christoph Sakwerda | F Major | 4 | 7B | 176 BPM |