"Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau"" by Franz Schubert, Erich Becht, Jana Valášková, Slovak Radio Symphony Orchestra, Johannes Wildner was released on March 13, 1995. Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau" is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 3 out of 12 in Cinema Classics, Vol. 12 by Various Artists, Barry Wordsworth, Wolfgang Sobotka, Johannes Wildner, Andrew Mogrelia, Ladislav Slovák. Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau" by Franz Schubert, Erich Becht, Jana Valášková, Slovak Radio Symphony Orchestra, Johannes Wildner is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Introduction et rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Noah Geller, Kansas City Symphony, Michael Stern | A Minor | 1 | 8A | 130 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
O Mio Bambino Caro (From A Room With A View) | Cedar Lane Studio Orchestra | A♭ Major | 4 | 4B | 172 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | A Minor | 0 | 8A | 50 BPM | ||
Schwanengesang, D. 957: No 4, Ständchen (Arr. for Arpeggione, Guitar and Fortepiano by Martin Zeller) | Franz Schubert, Martin Zeller, Giorgio Paronuzzi, Víctor Castillo Luna | D Major | 0 | 10B | 109 BPM | ||
Spem in alium | Thomas Tallis, Antony Walker | C Major | 1 | 8B | 130 BPM | ||
Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto | Stuttgart Piano Trio, Franz Schubert | C Minor | 0 | 5A | 100 BPM | ||
Symphony No. 10, Op. 77: III. Larghetto: Molto espressivo | Alexander Moyzes, Slovak Radio Symphony Orchestra, Ladislav Slovák | A♭ Major | 0 | 4B | 81 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM |