Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta made "Ave mundi spes Maria - Secuencia (Modos VII y VIII) - Remasterizado" available on June 3, 2016. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 28 in El Canto Gregoriano en el Camino de Santiago (2016 Remastered Version) by Anonymous, Coro de Monjes del Monasterio Benedictino de Santo Domingo de Silos. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Ave mundi spes Maria - Secuencia (Modos VII y VIII) - Remasterizado is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ave mundi spes Maria - Secuencia (Modos VII y VIII) - Remasterizado by Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni redemptor gentium | Anonymous, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | D♭ Minor | 0 | 12A | 82 BPM | ||
Gloria | Probandi Benedittini Di San Giovanni In Parma | D Major | 2 | 10B | 103 BPM | ||
Great Entrance and Communion Hymn for Holy Thursday (Mode Plagal IV) | Tikey Zes, Cappella Romana | D Major | 1 | 10B | 127 BPM | ||
Ave Maria | Lucien Deiss, CSSp | G Minor | 0 | 6A | 66 BPM | ||
Tempo Della Chiesa. Antifona Alla Comunione: Qui Manducat | Canonici Regolari Si Sant'Antimo | A♭ Major | 0 | 4B | 132 BPM | ||
Recordare Virgo Mater | Monks Of The Abbey Of Notre Dame | G Major | 0 | 9B | 81 BPM | ||
Litany & Lord's Prayer, Pt. 1 | The Monks Of Glenstal Abbey | D♭ Major | 1 | 3B | 82 BPM | ||
Per omnia saecula saeculorum... Pater noster... | Gregorian Chant, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | B Major | 1 | 1B | 69 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Kyrie Christe Eleison | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | F Minor | 1 | 4A | 71 BPM |