"Songs of Farewell No. 1: I. My Soul, There Is a Country" by Hubert Parry, Eton College Chapel Choir, Ralph Allwood, Tom Williamson was released on 1997. The duration of Songs of Farewell No. 1: I. My Soul, There Is a Country is about 3 minutes long, at 3:26. Based on our data, "Songs of Farewell No. 1: I. My Soul, There Is a Country" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 22 in Choral Evensong from Eton College by Eton College Chapel Choir, Ralph Allwood, Tom Williamson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Songs of Farewell No. 1: I. My Soul, There Is a Country is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songs of Farewell No. 1: I. My Soul, There Is a Country by Hubert Parry, Eton College Chapel Choir, Ralph Allwood, Tom Williamson is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Procession Of The Queen - March from The Birds | Hubert Parry, London Chamber Orchestra, Christopher Warren-Green | C Major | 1 | 8B | 97 BPM | ||
Psalm 106 "O Give Thanks unto the Lord" | Hubert Parry, James Turle, Samuel Sebastian Wesley, Durham Cathedral Choir, Ian Shaw, James Lancelot | B♭ Major | 0 | 6B | 80 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Elizabethan Serenade | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 149 BPM | ||
The Gadfly Suite, Op. 97a: 8. Romance (Arr. by Lev Atovmyan) - From "The Gadfly" | David Stanhope, Tasmanian Symphony Orchestra, Barbara Jane Gilby | D♭ Major | 1 | 3B | 79 BPM | ||
Jesu Joy of Man's Desiring | Various Artists | F♯ Major | 1 | 2B | 141 BPM | ||
Te Deum | Marc-Antoine Charpentier, Noel Rawsthorne | D Major | 3 | 10B | 71 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM |