"Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder" by Karl Goldmark, Leo Slezak, Elsa Bland was released on January 4, 2011. The duration of Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder is about 3 minutes long, at 3:09. Based on our data, "Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Slezak's "Leo Slezak (1902-1931)" album is number 15 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder by Karl Goldmark, Leo Slezak, Elsa Bland to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano) | Anonymous , Samuel Barber, Zuill Bailey, Lara Downes | E Minor | 1 | 9A | 87 BPM | ||
Die Königin von Saba, Op. 27, Act II: Act II Scene 6: Wie auf das Saatkorn dein Segen taut (Chorus, Sulamith) | Karl Goldmark, Irma Mihelič, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon | A Major | 1 | 11B | 84 BPM | ||
Sadko: Hindoo Song (Song of India) | Nikolai Rimsky-Korsakov, Gil Shaham, Akira Eguchi | C Major | 0 | 8B | 176 BPM | ||
L'Arlésienne Suite No. 2: No. 4, Farandole (Arr. for Solo Violin & String Orchestra by Asahi Matsuoka) - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Georges Bizet, 石田泰尚, 石田組 | D Major | 5 | 10B | 108 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | D♭ Major | 0 | 3B | 80 BPM | ||
A Fugal Concerto, Op. 40: I. Moderato | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Tippett: Little Music for String Orchestra: III. Air. Andante espressivo | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
The Seasons, Op. 37a: No. 10, Autumn Song (Arr. for Piano Trio by Louis Eaton) | Pyotr Ilyich Tchaikovsky, Christoph Croisé, Andrey Baranov, Alexander Panfilov | A Major | 4 | 11B | 119 BPM | ||
Suite for Violin and Piano in D Major, Op. 11: I. Allegro | Karl Goldmark, Orsolya Korcsolan, Emese Mali | E Major | 1 | 12B | 94 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |