Francis Poulenc's 'Gymnopedie No 1' had a release date set for January 1, 1950. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Gymnopedie No 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 23 in Erik Satie - Francis Poulenc Plays the Piano Music of Satie and Poulenc by Francis Poulenc. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Gymnopedie No 1 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gymnopedie No 1 by Francis Poulenc is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
Carnival of the Animals: VII. Aquarium | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | A Minor | 1 | 8A | 82 BPM | ||
Introduction And Allegro For Harp, String Quartet, Flute And Clarinet | Maurice Ravel, Nash Ensemble, Skaila Kanga, Philippa Davies, Michael Collins | E♭ Minor | 1 | 2A | 70 BPM | ||
Opus 17 | Dustin O'Halloran | B Minor | 2 | 10A | 168 BPM | ||
Elegie, Op. 24 | Gabriel Fauré, Maria Kliegel, Nina Tichman | A♭ Major | 0 | 4B | 72 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM |