"Transcendental Etudes, S. 139: No. 8, Wilde Jagd - Live" by Franz Liszt, Yunchan Lim was released on July 7, 2023. With this song being about 5 minutes long, at 4:46, "Transcendental Etudes, S. 139: No. 8, Wilde Jagd - Live" by Franz Liszt, Yunchan Lim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Yunchan Lim's "Live from The Cliburn - Liszt: Transcendental Etudes" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Transcendental Etudes, S. 139: No. 8, Wilde Jagd - Live's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Transcendental Etudes, S. 139: No. 8, Wilde Jagd - Live by Franz Liszt, Yunchan Lim to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 5. Vivace in A Minor | Antonín Dvořák, Stefan Veselka | D♭ Minor | 4 | 12A | 87 BPM | ||
Fantasie in C Major, Op. 17: III. Langsam getragen. Durchweg leise zu halten | Robert Schumann, Vladimir Horowitz | F Major | 0 | 7B | 73 BPM | ||
Liebesfreud | Fritz Kreisler, Sergei Rachmaninoff | F Major | 1 | 7B | 86 BPM | ||
Don Juan Fantasie (Arr. Solo Piano by Franz Liszt) - Welte-Mignon 876 | Wolfgang Amadeus Mozart, Franz Liszt, Emil von Sauer, Peter Phillips | A Major | 1 | 11B | 72 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Toccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): Fugue | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Minor | 2 | 7A | 98 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
6 Pieces, Op. 94: No. 5 Melodie | Jean Sibelius, Håvard Gimse | B Major | 0 | 1B | 76 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: III. Allegro assai | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 2 | 7B | 78 BPM |