George Antheil, Leif Ove Andsnes made "Antheil: 2 Toccatas for the Piano: II. Allegro" available on September 12, 2006. The duration of Antheil: 2 Toccatas for the Piano: II. Allegro is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Antheil: 2 Toccatas for the Piano: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leif Ove Andsnes's "Horizons" album is number 14 out of 23. In terms of popularity, Antheil: 2 Toccatas for the Piano: II. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Antheil: 2 Toccatas for the Piano: II. Allegro by George Antheil, Leif Ove Andsnes to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in B Major, Op. 22 | Charles-Valentin Alkan, Pascal Amoyel | B Major | 0 | 1B | 67 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
100 Transcendental Studies: No. 18: Liscio. Tranquillamente scorrevole | Kaikhosru Sorabji, Fredrik Ullén | E Minor | 1 | 9A | 74 BPM | ||
Ravel: String Quartet, M. 35: III. Très lent | Maurice Ravel, Quatuor Ébène | B Major | 0 | 1B | 80 BPM | ||
Sargent Rag | Remersaro Trío | A♭ Major | 3 | 4B | 145 BPM | ||
Piano Sonata in G-Sharp Minor Op. 19, No. 2, "Sonata Fantasy": 1. Andante | Alexander Scriabin, Vladimir Ashkenazy | E Major | 0 | 12B | 66 BPM | ||
Suite for Violin & Piano Op. 79d: I. Wiegenlied. Allegretto con grazia | Max Reger, Ulf Wallin, Roland Pöntinen | G Major | 0 | 9B | 76 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |