Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln, Patrizia Ciofi, Marie McLaughlin's 'Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna)' came out on 2004. The duration of Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: Le nozze di Figaro" album is number 10 out of 62. On top of that, France appears to be the country where this track was created. Based on our statistics, Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna) by Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln, Patrizia Ciofi, Marie McLaughlin to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Così fan tutte, K. 588: Act 1: Terzetto "È la Fede Delle Femmine" - Recitativo "Scioccherie Di Poeti!" | Wolfgang Amadeus Mozart, Concerto Köln, Werner Güra, Pietro Spagnoli, René Jacobs, Marcel Boone | B Major | 2 | 1B | 118 BPM | ||
The Magic Flute, K. 620: Dies Bildnis ist bezaubernd schön | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 79 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2h. Gloria: Cum Sancto Spiritu | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 3: Cavatina - Se vuol ballare, signor Contino | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | F Major | 2 | 7B | 87 BPM | ||
Vesperae solennes de confessore in C, K.339: 2. Confitebor tibi, Domine | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 98 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 1 | 12B | 114 BPM | ||
Così fan tutte, K. 588 / Act I: "E voi ridete?" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 105 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | C Major | 1 | 8B | 81 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 132 BPM |