"Semiramide: Act II Scene 4: In si barbara sciagura (Arsace, Oroe, Chorus)" by Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani was released on July 2, 2013. With this song being about 5 minutes long, at 5:20, "Semiramide: Act II Scene 4: In si barbara sciagura (Arsace, Oroe, Chorus)" by Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 48 in the song's album "Rossini: Semiramide". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Semiramide: Act II Scene 4: In si barbara sciagura (Arsace, Oroe, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Semiramide: Act II Scene 4: In si barbara sciagura (Arsace, Oroe, Chorus) by Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Minor, Op. 125 "Choral": 3. Adagio molto e cantabile | Ludwig van Beethoven, Gewandhausorchester, Riccardo Chailly | B♭ Major | 0 | 6B | 99 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | E Major | 2 | 12B | 99 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Major | 0 | 8B | 115 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Petite messe solennelle: IV. Gloria. Gloria in excelsis Deo | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 6 | 9A | 108 BPM | ||
Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra | C Minor | 1 | 5A | 98 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |