Wim Sonneveld's 'Dat Wij Verschillen Van Elkaar - Live' came out on January 1, 1974. The duration of Dat Wij Verschillen Van Elkaar - Live is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Dat Wij Verschillen Van Elkaar - Live's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wim Sonneveld Met Willem Nijholt En Corrie Van Gorp II by Wim Sonneveld. The song's track number on the album is #11 out of 18 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Dat Wij Verschillen Van Elkaar - Live is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Dat Wij Verschillen Van Elkaar - Live by Wim Sonneveld has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Dat Wij Verschillen Van Elkaar - Live being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
De fanfare van honger en dorst | Jan De Wilde | D Major | 2 | 10B | 108 BPM | ||
Windekind | Ann Christy | C Major | 5 | 8B | 115 BPM | ||
Dag Geluk | Rowwen Hèze | C Major | 3 | 8B | 93 BPM | ||
Frekie | Harry Bannink, Bob Zimmerman, Holland Symfonia, Otto Tausk, Nynke Laverman, Loes Luca | B♭ Minor | 5 | 3A | 100 BPM | ||
Ode Aan Maastricht - Prendre Un Enfant | Benny Neyman | E Major | 2 | 12B | 95 BPM | ||
Wat voorbij is | Karin Bloemen, Cor Bakker | G Major | 1 | 9B | 83 BPM | ||
Laat Alleen Mijn Goede Vrienden Over | Zjef Vanuytsel | F Major | 5 | 7B | 83 BPM | ||
Naar, dom jongetje | Jules de Corte | F Major | 2 | 7B | 65 BPM | ||
Op Een Mooie Pinksterdag | Andre Van Den Heuvel, Leen Jongewaard | C Major | 2 | 8B | 108 BPM | ||
Een vriend zien huilen | Johan Verminnen | G Major | 1 | 9B | 142 BPM |