"Suite No. 3 in D Minor, HWV 428: III. Allemande" by George Frideric Handel, Murray Perahia was released on February 25, 1997. The duration of Suite No. 3 in D Minor, HWV 428: III. Allemande is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Suite No. 3 in D Minor, HWV 428: III. Allemande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Murray Perahia's "Murray Perahia plays Handel and Scarlatti" album is number 8 out of 22. Based on our statistics, Suite No. 3 in D Minor, HWV 428: III. Allemande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No. 3 in D Minor, HWV 428: III. Allemande by George Frideric Handel, Murray Perahia to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Gavotte et six doubles, RCT 5/7: Var. 3 | Jean-Philippe Rameau, Bruce Liu | A Minor | 0 | 8A | 108 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Sonata in A Major, No. 6: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F Minor | 1 | 4A | 105 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: Lied ohne Worte (Song without Words), Book 2, Op. 30: No. 11 in D Major, Op. 30, No. 5 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Suite No. 2 in F Major, HWV 427: IV. Allegro | George Frideric Handel, Seong-Jin Cho | F Minor | 1 | 4A | 81 BPM | ||
Handel: Arianna in Creta, HWV 32: Overture | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM |