Johann Joachim Quantz, Claudio Ferrarini made "28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 16 (Recomposed by Luca Astolfoni Fossi)" available on August 11, 2023. With 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 16 (Recomposed by Luca Astolfoni Fossi) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Joachim Quantz, Claudio Ferrarini's "Johann Joachim Quantz Recomposed by Luca Astolfoni Fossi: 28 Variazions on Aria “ I Was Sleeping, and Then I Dreamed” for Solo Flute" album is number 17 out of 30. On top of that, Italy appears to be the country where this track was created. 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 16 (Recomposed by Luca Astolfoni Fossi) is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 16 (Recomposed by Luca Astolfoni Fossi) by Johann Joachim Quantz, Claudio Ferrarini to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Flute Concerto in G Minor, QV 5:196: III. Presto | Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble | F♯ Major | 1 | 2B | 100 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Molter: Concerto for 2 Trumpets in D Major, MWV 6.31: II. Andante | Johann Melchior Molter, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 1 | 7A | 128 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 2 | 4B | 127 BPM |