Ariel Ramírez, José Carreras, Coral Salvé de Laredo, Sociedad Coral de Bilbao, Damián Sanchez's ' "Navidad Nuestra: 4. Los Pastores (chaya riojana)" was released on its scheduled release date, January 1, 1988. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Navidad Nuestra: 4. Los Pastores (chaya riojana)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Ramirez: Missa Criolla; Navidad Nuestra; Navidad en Verano". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Navidad Nuestra: 4. Los Pastores (chaya riojana) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Navidad Nuestra: 4. Los Pastores (chaya riojana) by Ariel Ramírez, José Carreras, Coral Salvé de Laredo, Sociedad Coral de Bilbao, Damián Sanchez having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria (Schubert) | Franz Schubert, Angèle Dubeau, Rachel Laurin, Gilbert Patenaude | B♭ Major | 1 | 6B | 58 BPM | ||
Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, The Sixteen, Harry Christophers | D♭ Major | 2 | 3B | 127 BPM | ||
Mass in B Minor, BWV 232: Gloria in excelsis Deo (Chorus) | Johann Sebastian Bach, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | G Major | 0 | 9B | 91 BPM | ||
Messiah, HWV 56 / Pt. 1: Comfort Ye My People | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge | B Major | 1 | 1B | 101 BPM | ||
Cantata No. 147 | Johann Sebastian Bach, The Choir Of Westminster Abbey, Martin Neary | C Major | 1 | 8B | 60 BPM | ||
Panis Angelicus | César Franck, José Carreras, Wiener Symphoniker, Uwe Christian Harrer, Michael G. Gormley | A Major | 1 | 11B | 84 BPM | ||
Veni Veni Emmanuel - Arr. for Choir by Philip Lawson | Traditional, Phoenix Chorale, Christopher Gabbitas | G Minor | 1 | 6A | 111 BPM | ||
Hodie Christus natus est | Jan Pieterszoon Sweelinck, Voices of Ascension Chorus, Dennis Keene | B♭ Major | 2 | 6B | 85 BPM | ||
The Truth From Above (arr. R.V. Williams) | Ralph Vaughan Williams, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | E Minor | 1 | 9A | 86 BPM | ||
A Spotless Rose | Herbert Howells, The King's Singers | G Major | 0 | 9B | 175 BPM |