"La bohème: Act IV: In un coupé? ... O Mimì, tu più non torni" by Plácido Domingo, Sherrill Milnes, Anton Guadagno was released on September 24, 2009. With this song being about 5 minutes long, at 4:32, "La bohème: Act IV: In un coupé? ... O Mimì, tu più non torni" by Plácido Domingo, Sherrill Milnes, Anton Guadagno is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 49 in the song's album "The Tenor". In this album, this song's track order is #10. Based on our statistics, La bohème: Act IV: In un coupé? ... O Mimì, tu più non torni's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La bohème: Act IV: In un coupé? ... O Mimì, tu più non torni by Plácido Domingo, Sherrill Milnes, Anton Guadagno having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | ||
To Love | Steve Gibb, Buzz Cason, Plácido Domingo | B♭ Major | 2 | 6B | 173 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Clavel Sevillano | Plácido Domingo | E♭ Major | 3 | 5B | 136 BPM | ||
Delibes: Lakmé, Act 1: Flower Duet - "Dôme épais le jasmin" (Lakmé, Mallika) | Léo Delibes, Jennifer Larmore, Hei-Kyung Hong, Jesús López-Cobos, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Intermezzo de cavalleria rusticana - Remasterizado | Luis Cobos | F Major | 1 | 7B | 83 BPM | ||
Tempo d'Italia - Remasterizado | Luis Cobos | C Major | 5 | 8B | 133 BPM | ||
L'Africaine / Act 4: Mi batte il cor...O Paradiso | Giacomo Meyerbeer, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | F♯ Major | 4 | 2B | 90 BPM | ||
"Amapola" | Joseph Maria Lacalle, Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | D♭ Major | 4 | 3B | 129 BPM | ||
Spanish Eyes | Plácido Domingo | B♭ Major | 3 | 6B | 109 BPM |