"Sonatas and Interludes for Prepared Piano: Sonata No. 7" by John Cage, Boris Berman was released on June 29, 1999. The duration of Sonatas and Interludes for Prepared Piano: Sonata No. 7 is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Sonatas and Interludes for Prepared Piano: Sonata No. 7's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 19 in Cage: Sonatas and Interludes for Prepared Piano by John Cage, Boris Berman. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Sonatas and Interludes for Prepared Piano: Sonata No. 7 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonatas and Interludes for Prepared Piano: Sonata No. 7 by John Cage, Boris Berman is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Pieces for Children: No. 2. Clouds | Toru Takemitsu, Kotaro Fukuma | A Major | 0 | 11B | 96 BPM | ||
Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
Intonarumori : gorgogliatore (gurgler) - 1977 Recording | Luigi Russolo | A Major | 4 | 11B | 94 BPM | ||
4 Kleine Stücke: I. Timoroso | Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward | D Major | 1 | 10B | 89 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
Four Studies: II. Fast Canons | Nico Muhly, Angela Chun, Jennifer Chun | A Minor | 2 | 8A | 164 BPM | ||
Ame no ki (Rain Tree): Rain Tree | Toru Takemitsu, Toronto New Music Ensemble | G Major | 0 | 9B | 130 BPM | ||
Preludes: Chan d'extase dans une paysage triste (Song of Ecstasy in a Sad Landscape) | Olivier Messiaen, Håkon Austbø | D♭ Minor | 0 | 12A | 72 BPM | ||
Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM |