"Concerto in C Minor, BWV 1060: II. Adagio" by Johann Sebastian Bach, Alexei Ogrintchouk, Concertgebouw Chamber Orchestra, Vesko Eschkenazy, Tjeerd Top, Alexei Ogrintchouck was released on October 1, 2012. Concerto in C Minor, BWV 1060: II. Adagio is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 11 out of 12 in Bach: Violin Concertos by Johann Sebastian Bach, Concertgebouw Chamber Orchestra, Vesko Eschkenazy, Tjeerd Top, Alexei Ogrintchouck. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto in C Minor, BWV 1060: II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in C Minor, BWV 1060: II. Adagio by Johann Sebastian Bach, Alexei Ogrintchouk, Concertgebouw Chamber Orchestra, Vesko Eschkenazy, Tjeerd Top, Alexei Ogrintchouck is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Maurice André, Franz Liszt Chamber Orchestra, Budapest, János Rolla, Maxence Larrieu, Bernard Schenkel, Franz Liszt Chamber Orchestra | F Major | 3 | 7B | 98 BPM | ||
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | A Major | 1 | 11B | 98 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Piano Trio No. 2 in C Major, Op. 87: Allegro | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | C Major | 1 | 8B | 129 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM |