Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum made "Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": II. Gloria. Allegro molto (Chorus, Soprano, Alto, Tenor, Bass)" available on 1989. The duration of Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": II. Gloria. Allegro molto (Chorus, Soprano, Alto, Tenor, Bass) is about 3 minutes long, at 3:28. Based on our data, "Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": II. Gloria. Allegro molto (Chorus, Soprano, Alto, Tenor, Bass)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor, Peter Neumann, Collegium Cartusianum's "Mozart: Coronation Mass K.317 & Missa Solemnis K.337" album is number 9 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": II. Gloria. Allegro molto (Chorus, Soprano, Alto, Tenor, Bass)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": II. Gloria. Allegro molto (Chorus, Soprano, Alto, Tenor, Bass) by Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vesperae solennes de confessore in C, K.339: 3. Beatus vir qui timet Dominum (PS. 111/112) | Wolfgang Amadeus Mozart, Edith Mathis, Jadwiga Rappe, Peter Schreier, Thomas Quasthoff, MDR Leipzig Radio Chorus, Staatskapelle Dresden | C Major | 2 | 8B | 83 BPM | ||
Requiem In D Minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Wilma Lipp, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | B♭ Major | 1 | 6B | 90 BPM | ||
Le nozze di Figaro, K. 492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, London Philharmonic Orchestra, Sir Georg Solti, Thomas Allen, Samuel Ramey, Philip Langridge, Robert Tear, Giorgio Tadeo, Kurt Moll, Lucia Popp, Kiri Te Kanawa | G Major | 2 | 9B | 73 BPM | ||
Requiem in D minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Sylvia McNair, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 2 | 6B | 92 BPM | ||
Mozart: Requiem in D Minor, K. 626: XI. Sanctus | Wolfgang Amadeus Mozart, Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra | G Major | 2 | 9B | 112 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2h. Gloria: Cum Sancto Spiritu | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Mass No. 3 in F Minor, WAB 28: IV. Sanctus | Anton Bruckner, Orchestre de la Suisse Romande, Marek Janowski, Rundfunkchor Berlin, Lenneke Ruiten, Iris Vermiillion, Franz-Josef Selig, Shawn Mathey | D Minor | 1 | 7A | 119 BPM | ||
Grosse Messe, Great Mass In C Minor Kv 427, Gloria: Gratias Agimus Tibi | Nicol Matt, Christof Fischesser, Jens Wollenschläger, Wolfgang Amadeus Mozart, Annemarie Kremer, Camerata Würzburg, Nordic Chamber Choir, Valentina Farcas, Reinhard Geller, Daniel Sans | D Minor | 3 | 7A | 90 BPM | ||
Die Entführung aus dem Serail, K. 384 / Act III: "Meinetwegen sollst du sterben!" - Live | Wolfgang Amadeus Mozart, Diana Damrau, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 2 | 6B | 82 BPM | ||
Le Nozze di Figaro, Act 1: Via, resti servita | Wolfgang Amadeus Mozart, Kathleen Battle, Riccardo Muti, Wiener Philharmoniker | E Major | 2 | 12B | 142 BPM |