Paul Hindemith, Hans Otte, Hans Gieseler, Berliner Philharmoniker made ""Die vier Temperamente" für Klavier und Streichorchester: Thema. Moderato - Allegro assai - Moderato" available on January 1, 2003. With this song being about 5 minutes long, at 5:07, ""Die vier Temperamente" für Klavier und Streichorchester: Thema. Moderato - Allegro assai - Moderato" by Paul Hindemith, Hans Otte, Hans Gieseler, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Hindemith, Berliner Philharmoniker's "Hindemith conducts Hindemith" album is number 5 out of 29. On top of that, Germany appears to be the country where this track was created. "Die vier Temperamente" für Klavier und Streichorchester: Thema. Moderato - Allegro assai - Moderato is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of "Die vier Temperamente" für Klavier und Streichorchester: Thema. Moderato - Allegro assai - Moderato by Paul Hindemith, Hans Otte, Hans Gieseler, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: I. Zwischen Berg und tiefem Tal | Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 96 BPM | ||
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 81 BPM | ||
Violin Concerto No.1, Sz 36, Op. posth.: Violin Concerto No.1, Sz 36, Op. posth.: I. Andante sostenuto | Béla Bartók, Isabelle Faust, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 0 | 10B | 65 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM |