Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Mensa sonora / PARS III (In A Minor): 1. Gagliarda. Allegro" available on January 1, 1988. With Mensa sonora / PARS III (In A Minor): 1. Gagliarda. Allegro being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Mensa sonora / PARS III (In A Minor): 1. Gagliarda. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Mensa sonora / PARS III (In A Minor): 1. Gagliarda. Allegro by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Trio Sonatas, Op. 1, No. 1 in G Minor, RV 73: II. Allemanda. Allegro | Antonio Vivaldi, L'Estravagante | E♭ Minor | 1 | 2A | 83 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 129 BPM | ||
Atys, "Le Sommeil" Opera In 5 Acts With Prologue: Dormons, dormons tous | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 0 | 11A | 137 BPM | ||
Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: II. Allegro | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | F♯ Major | 0 | 2B | 185 BPM | ||
"Sonate à quatre parties" In D Major: 4. Aria | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 76 BPM | ||
Suite pour quatre parties de violes, H. 545: III. Sarabande | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 1 | 12A | 135 BPM | ||
Brandenburg Concerto No. 5 In D Major, BWV 1050: 2. Affettuoso | Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 142 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Concerto in D Major, Op. 6 No. 12: II. Largo tempo giusto | Charles Avison, Café Zimmermann | B Major | 5 | 1B | 101 BPM |