"Instruments Of The Orchestra: Reicha: Wind Quintet In A Minor, Op. 100, No. 5: Variation 3" by Jeremy Siepmann was released on November 2, 2002. With Instruments Of The Orchestra: Reicha: Wind Quintet In A Minor, Op. 100, No. 5: Variation 3 being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 410 in the song's album "The Instruments Of The Orchestra". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Instruments Of The Orchestra: Reicha: Wind Quintet In A Minor, Op. 100, No. 5: Variation 3's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Instruments Of The Orchestra: Reicha: Wind Quintet In A Minor, Op. 100, No. 5: Variation 3 by Jeremy Siepmann having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Czech Suite in D Major, Op. 39, B. 93: II. Polka. Allegretto grazioso | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Minor | 2 | 7A | 86 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): And after them Grandfather, complaining, and the Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 112 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 82 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Grieg : Symphonic Dances Op.64 : No.2 in A Major | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 110 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Domestic Happiness And The Move To Leipzig | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | C Minor | 3 | 5A | 121 BPM |