"Songs of the Fleet, Op. 117: III. The Middle-Watch" by Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales was released on May 1, 2006. Since Songs of the Fleet, Op. 117: III. The Middle-Watch is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Stanford: Songs of the Fleet, Songs of the Sea & A Ballad of the Fleet". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Songs of the Fleet, Op. 117: III. The Middle-Watch is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs of the Fleet, Op. 117: III. The Middle-Watch by Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pie Jesu | Kim André Arnesen, Christianna Sullins, Kantorei, Alicia Rigsby, Joel Rinsema | D Major | 0 | 10B | 74 BPM | ||
Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
O Crux ave, spes unica | Giaches de Wert, Stile Antico | C Minor | 1 | 5A | 80 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
Laboravi in gemitu meo | Philippe Rogier, Oxford Camerata, Jeremy Summerly | G Major | 1 | 9B | 134 BPM | ||
Songs on One Page, H. 294: No. 1, Rosička | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 77 BPM | ||
Ecce Quomodo Moritur | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 173 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
La Damnation de Faust, Op. 24, H. 111: Pt. IV, Scène XX - Dans le ciel. "Laus! Hosanna!" - Apothéose de Marguerite. "Remonte au ciel, âme naïve" | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Tiffin Children's Chorus, Tiffin Boys' Choir, Tiffin Girls' Choir, Sir Simon Rattle | D♭ Major | 0 | 3B | 119 BPM |