"Morceaux de Fantaisie, Op. 3: 1. Elégie" by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason was released on August 1, 2017. With this song being about 5 minutes long, at 5:17, "Morceaux de Fantaisie, Op. 3: 1. Elégie" by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Rachmaninov: Morceaux de Fantaisie, Op.3, No.1: Elégie only contains only one song in the album, we like to consider this song as a single. Morceaux de Fantaisie, Op. 3: 1. Elégie is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Morceaux de Fantaisie, Op. 3: 1. Elégie by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | G Major | 2 | 9B | 165 BPM | ||
10 Preludes, Op. 23, No. 10: Largo in G-Flat Major (Arr. for Cello & Piano by Julian Riem) | Sergei Rachmaninoff, Raphaela Gromes, Julian Riem | F♯ Major | 0 | 2B | 90 BPM | ||
La Fille aux cheveux de lin, L. 117 | Lavinia Meijer | E♭ Minor | 0 | 2A | 49 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Ravel: Jeux d'eaux, M. 30 | Maurice Ravel, Monique Haas | A♭ Major | 2 | 4B | 78 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM |