Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's 'Miserere, S. 27: Sacrificium Deo' came out on February 4, 2022. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 30 out of 38. On top of that, France appears to be the country where this track was created. In terms of popularity, Miserere, S. 27: Sacrificium Deo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere, S. 27: Sacrificium Deo by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Giuditta: Part I: Aria: Turbe timide, che fate? (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Delalande: Beati quorum remissae sunt, S. 5: "Pro hac orabit ad te omnis sanctus" (Soprano, Countertenor) | Michel Richard Delalande, Olivier Schneebeli, Damien Guillon, Salomé Haller, La Grande Écurie & la Chambre du Roy | F♯ Major | 1 | 2B | 167 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": II. Sarabande. Die schlafende Thetis | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 3 | 1B | 128 BPM | ||
Les Éléments, S.153, Prologue "Le Chaos", Scène 2: Tandis qu’entre les Dieux le monde se partage... (Vénus, le Destin) | Andre Cardinal Destouches, Michel Richard Delalande, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre, Etienne Bazola | D♭ Major | 3 | 3B | 87 BPM | ||
In solitare arene: "Lo strale di Cupido" | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Missa Paschalis, ZWV 7: Credo. Amen come nel gloria | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 3 | 3B | 178 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": V. De nos attentats injustes | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 107 BPM |