"Chamber Concerto No. 11, Op. 44: III. Finale: Allegretto, ma vivace" by Vagn Holmboe, Ole Edvard Antonsen, Max Artved, Tim Frederiksen, Jacques Mauger, Danish Radio Sinfonietta, Hannu Koivula was released on September 29, 1998. With this song being about 5 minutes long, at 5:22, "Chamber Concerto No. 11, Op. 44: III. Finale: Allegretto, ma vivace" by Vagn Holmboe, Ole Edvard Antonsen, Max Artved, Tim Frederiksen, Jacques Mauger, Danish Radio Sinfonietta, Hannu Koivula is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Vagn Holmboe's "Holmboe: Chamber Concertos Nos. 10-13" album is number 12 out of 18. On top of that, Denmark appears to be the country where this track was created. Chamber Concerto No. 11, Op. 44: III. Finale: Allegretto, ma vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chamber Concerto No. 11, Op. 44: III. Finale: Allegretto, ma vivace by Vagn Holmboe, Ole Edvard Antonsen, Max Artved, Tim Frederiksen, Jacques Mauger, Danish Radio Sinfonietta, Hannu Koivula to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mercure: VI. Danse des Grâces | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Point of Tranquility: III. Maestoso | Kenneth Fuchs, Sinfonia Of London, John Wilson | B♭ Major | 5 | 6B | 129 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 92 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 73 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): IV. First Dance - Dance of the Princess in the Forest, Pt. 2 | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM |