"Piano Sonata No. 21 in C major, Op. 53 "Waldstein"" by Claudio Arrau was released on August 28, 2012. Piano Sonata No. 21 in C major, Op. 53 "Waldstein" appears to be safe for all ages as it is not explicit. This song is part of Virtuoso Piano Collection by Claudio Arrau. The song's track number on the album is #17 out of 135 tracks. Based on our statistics, Piano Sonata No. 21 in C major, Op. 53 "Waldstein"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Piano Sonata No. 21 in C major, Op. 53 "Waldstein" by Claudio Arrau has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Piano Sonata No. 21 in C major, Op. 53 "Waldstein" being at 142 テンポ, the half-time would be 71 テンポ with a double-time of 284 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.9 Ricordanza (Andantino) | Franz Liszt, Claudio Arrau | A♭ Major | 1 | 4B | 68 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Prélude in C sharp minor, Op.3, No.2 | Sergei Rachmaninoff, Jorge Bolet | F♯ Minor | 1 | 11A | 97 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Nicola Benedetti, Czech Philharmonic Orchestra, Jakub Hrůša | G Major | 2 | 9B | 101 BPM | ||
Nocturne No.11 in G minor, Op.37 No.1 | Frédéric Chopin, Claudio Arrau | E♭ Major | 0 | 5B | 70 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Má vlast: Vltava (The Moldau). Allegro commodo, non agitato | Bedřich Smetana, Duo Crommelynck | E Minor | 1 | 9A | 110 BPM | ||
Préludes / Book 1, L.117: 1. Danseuses de Delphes | Claude Debussy, Claudio Arrau | F Minor | 0 | 4A | 96 BPM | ||
Piano Concerto no. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kirill Kondrashin, Staatliches Sinfonie Orchester Istanbul | C Minor | 0 | 5A | 73 BPM |