"Når jola kjem (When Yule-Tide Comes) [Arr. P. Grainger in E-Flat Major for Saxophone Ensemble]" by Carl Gustav Sparre Olsen, Percy Grainger, J. Michael Holmes, Phil Pierick, Joyce Griggs was released on December 4, 2015. With Når jola kjem (When Yule-Tide Comes) [Arr. P. Grainger in E-Flat Major for Saxophone Ensemble] being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Percy Grainger, Joyce Griggs's "Grainger: Music for Saxophones" album is number 8 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Når jola kjem (When Yule-Tide Comes) [Arr. P. Grainger in E-Flat Major for Saxophone Ensemble]'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Når jola kjem (When Yule-Tide Comes) [Arr. P. Grainger in E-Flat Major for Saxophone Ensemble] by Carl Gustav Sparre Olsen, Percy Grainger, J. Michael Holmes, Phil Pierick, Joyce Griggs to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Diamond Hands for trumpet, trombone and orchestra | Ricardo Mollá Albero, Martin Schippers | D Major | 6 | 10B | 89 BPM | ||
White Rose Elegy | Caleb Hudson, Sierra Brass Quintet | G Minor | 5 | 6A | 142 BPM | ||
Sonata for Arpeggione and Keyboard in A Minor, D. 821: II. Adagio - Arr. for Harp and Cello by Anja Linder | Anja Linder, Julie Sévilla-Fraysse | C Minor | 0 | 5A | 93 BPM | ||
Danza | Colin Brumby, David Shephard, Julie Haskell | F Minor | 0 | 4A | 108 BPM | ||
Grande Sonata in B -Flat Major: I. Allegro (Recomposed for Sollo Flute by Luca Astolfoni Fossi) | Johann Adolf Hasse, Claudio Ferrarini | C Major | 1 | 8B | 92 BPM | ||
O Jardim de Ana | Natália Roschel, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Six Studies in English Folk Song: No. 1, Adagio | Joseph Bartz | F Minor | 0 | 4A | 72 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5 (Arr. for Accordion by Janne Valkeajoki): IV. Les trois mains | Jean-Philippe Rameau, Janne Valkeajoki | A Minor | 2 | 8A | 70 BPM | ||
Suite pour trois violes: II. Allemande - Transcr. for Three Marimbas | Antoine Forqueray, Trio SR9, Paul Changarnier, Nicolas Cousin, Alexandre Esperet | D Minor | 0 | 7A | 126 BPM |