"Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 8. Dios la perdone: Y era su madre (God forgive her: and it was her mother)" by Mario Castelnuovo-Tedesco, Zoran Dukic was released on March 31, 2009. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 24 in Castelnuovo-Tedesco, M.: 24 Caprichos De Goya by Mario Castelnuovo-Tedesco, Zoran Dukic. Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 8. Dios la perdone: Y era su madre (God forgive her: and it was her mother) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 8. Dios la perdone: Y era su madre (God forgive her: and it was her mother) by Mario Castelnuovo-Tedesco, Zoran Dukic is Lento (slowly), since this song has a tempo of 52 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia Sobre "El Paño" O Sea "El Punto De La Habana" | María Esther Guzmán | E Minor | 1 | 9A | 75 BPM | ||
El Negrito | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 82 BPM | ||
Pièces de clavecin, Book 3: No. 6, Médée (Arr. Antoine Fougeray for Guitar) | Jacques Duphly, Raphaël Feuillâtre | D Major | 0 | 10B | 79 BPM | ||
Estudio No. 6 in E Minor | Agustín Barrios Mangoré, Celil Refik Kaya | E Minor | 2 | 9A | 94 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | G Minor | 1 | 6A | 140 BPM | ||
Valses poeticos (arr. Peter Breiner): Valse 6. Quasi ad libitum | Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra | C Major | 1 | 8B | 106 BPM | ||
Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave) | Johann Kaspar Mertz, Adam Holzman | G Major | 1 | 9B | 100 BPM | ||
String Quartet No. 2 in F Minor, Op. 139: I. Moderato ma non troppo | Mario Castelnuovo-Tedesco, Quartetto Adorno | D♭ Major | 1 | 3B | 80 BPM | ||
24 Caprichos de Goya, Op. 195: No. 14, Cuaderno Tercero: Porque Fue Sensible | Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli | G Major | 0 | 9B | 52 BPM | ||
Torre Bermeja | Isaac Albéniz, David Russell | E Minor | 2 | 9A | 100 BPM |