"Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act IV: Transition to New World Order" by Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra was released on April 26, 2024. With Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act IV: Transition to New World Order being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra's "Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet" album is number 8 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act IV: Transition to New World Order's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act IV: Transition to New World Order by Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Mass in C Major, Op. 86: I. Kyrie (Andante con moto assai vivace) | Ludwig van Beethoven, Sir Thomas Beecham, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 116 BPM | ||
Notebook | Steven Gutheinz | E♭ Major | 2 | 5B | 90 BPM | ||
Parallel | A. Blomqvist | G Major | 0 | 9B | 97 BPM | ||
Das Rheingold (Arr. Solo Piano by Greef): Entrance into Valhalla - Welte-Mignon 1181 | Richard Wagner, Peter Phillips, Arthur De Greef | B Major | 1 | 1B | 68 BPM | ||
Barcarolle, Op. 60, in F-Sharp Major - Duo-Art 654 | Frédéric Chopin, Arthur Rubinstein, Peter Phillips | A♭ Major | 1 | 4B | 67 BPM | ||
Romanian Folk Dances, Sz. 68: No. 1, Joc cu bâta | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Etude No.17 | Philip Glass, Feico Deutekom | A Minor | 1 | 8A | 60 BPM | ||
9 Préludes, Op. 103: No. 3 in G Minor | Gabriel Fauré, Lucas Debargue | E♭ Major | 0 | 5B | 68 BPM | ||
Solskur - Resurfaced | Patrik Berg Almkvisth, LUCHS | D Major | 1 | 10B | 65 BPM |