"Sacri concentus: No. 3, Quem vidistis, pastores" by Hans Leo Hassler, Penalosa Ensemble had its release date on November 1, 2012. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Sacri concentus: No. 3, Quem vidistis, pastores's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Leo Hassler, Penalosa Ensemble's "Hans Leo Hassler: In dulci jubilo" album is number 10 out of 26. On top of that, Germany appears to be the country where this track was created. Sacri concentus: No. 3, Quem vidistis, pastores is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sacri concentus: No. 3, Quem vidistis, pastores by Hans Leo Hassler, Penalosa Ensemble to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Our Father | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
Regina coeli | Antonio Lotti, Liverpool Metropolitan Cathedral Choir, Mervyn Cousins | G Major | 1 | 9B | 77 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Plotipu usnuv (Having Fallen Asleep) | Alexander Glazunov, Slavyanka Men's Chorus, Paul Andrews | C Major | 0 | 8B | 74 BPM | ||
Ave Verum, Op. 65, No. 1 | San Francisco Girls Chorus | B♭ Minor | 0 | 3A | 78 BPM | ||
Psalm 4 "Hear Me When I Call, O God of My Righteousness" | Philip Moore, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | E Minor | 0 | 9A | 90 BPM | ||
Blessed be the God and Father | Samuel Sebastian Wesley, Philippa Boyle, Choir of Clare College, Cambridge, James McVinnie, Christopher Robinson | B♭ Major | 0 | 6B | 92 BPM | ||
Requiem: II. Psalm 23 | Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen | E Minor | 2 | 9A | 81 BPM | ||
Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
Adoramus te, Christe | Théodore Dubois, Vienna Chamber Choir, Michael Grohotolsky | C Major | 0 | 8B | 102 BPM |