Johann Pachelbel, Jean-François Paillard, Orchestre de chambre Jean-François Paillard's 'Pachelbel: Canon & Gigue in D Major, T. 337: I. Canon' came out on July 1, 1995. Since Pachelbel: Canon & Gigue in D Major, T. 337: I. Canon is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Soothing Classics". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Based on our statistics, Pachelbel: Canon & Gigue in D Major, T. 337: I. Canon's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pachelbel: Canon & Gigue in D Major, T. 337: I. Canon by Johann Pachelbel, Jean-François Paillard, Orchestre de chambre Jean-François Paillard having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante for Violin and Piano in G Major | Tanya Roos, Sam Haywood | G Major | 2 | 9B | 114 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Bach - Gounod: Ave Maria | Maria And Dimitrinka Tuturilova | C Major | 2 | 8B | 158 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
Pachelbel-Canon In D Major | Winter Flowers | A Major | 1 | 11B | 64 BPM | ||
Snow Prelude No. 3 | Dalal | F Major | 1 | 7B | 120 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM |