Gabriel Fauré, L'union Chorale De La Tour De Peilz, Gérard Souzay, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt's 'Requiem, Op. 48: 6. Libera me' came out on January 1, 2013. With this song being about 5 minutes long, at 5:22, "Requiem, Op. 48: 6. Libera me" by Gabriel Fauré, L'union Chorale De La Tour De Peilz, Gérard Souzay, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 15 in Fauré: Requiem; Pelléas et Mélisande; Masques et Bergamasques by Gabriel Fauré, Suzanne Danco, Gérard Souzay, Orchestre de la Suisse Romande, Ernest Ansermet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op. 48: 6. Libera me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48: 6. Libera me by Gabriel Fauré, L'union Chorale De La Tour De Peilz, Gérard Souzay, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Requiem, Op.48: 7. In Paradisum (Chorus) | Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London | D Major | 0 | 10B | 63 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM |