Johann Adolf Hasse, Mary-Ellen Nesi, Juan Sancho, Lauren Snouffer, Armonia Atenea, George Petrou's 'Siroe, Re di Persia - Dresden Version, 1763 / Act 3: "Rendi, o signore...Arasse! Oh cieli!"' came out on January 1, 2014. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Adolf Hasse, Max Emanuel Cenčić, Julia Lezhneva, Mary-Ellen Nesi, Lauren Snouffer, Juan Sancho, Franco Fagioli, Armonia Atenea, George Petrou's "Hasse: Siroe - Re Di Persia" album is number 11 out of 50. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Siroe, Re di Persia - Dresden Version, 1763 / Act 3: "Rendi, o signore...Arasse! Oh cieli!"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Siroe, Re di Persia - Dresden Version, 1763 / Act 3: "Rendi, o signore...Arasse! Oh cieli!" by Johann Adolf Hasse, Mary-Ellen Nesi, Juan Sancho, Lauren Snouffer, Armonia Atenea, George Petrou to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM | ||
Requiem In C Major: VII. Sequentia, Tuba mirum | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht | B Minor | 3 | 10A | 82 BPM | ||
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
Maddalena ai piedi di Cristo: No. 6 Aria Amor Celeste "La ragione, s'un'alma conseglia" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | E Major | 2 | 12B | 80 BPM | ||
Sanctus Petrus et Sancta Maria Magdalena: Sinfonia - Recitativo | Johann Adolf Hasse, Kirsten Blaise, Heidrun Kordes, Vivica Genaux, Terry Wey, Jacek Laszczkowski, Ludwigsburger Schlossfestspiele Choir, Ludwigsburger Schlossfestspiele Orchestra, Michael Hofstetter | D♭ Minor | 5 | 12A | 111 BPM | ||
Mass in D Minor: Kyrie: Kyrie I | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D Major | 2 | 10B | 105 BPM | ||
Myslieček: Demetrio: "Nacqui agli affani in seno" (Cleonice) | Josef Mysliveček, Emőke Baráth, Vaclav Luks | C Minor | 1 | 5A | 88 BPM |